The Grip was stopped on the eleventh of August with the gate shut at the top station and the driver standing in the doorway, and Bronwen Vasey walked up the twenty-two trestles to ask him how long it took. It took her two hours there and back and she had to be back in the office for the tide, so she went on the Tuesday and the Thursday and then every day for a fortnight, and by the middle of the month she had a figure she could not put anywhere. She kept it in a ruled notebook and she wrote it as sixty-five minutes, and underneath, in the next line, in pencil, forty-eight, because that was what the rota said, and beside that, also in pencil, and she underlined it the way she underlined the things that did not fit. The walking is four miles of switchbacks. She carried the notebook in the tin tube and the tube under her arm against the wind, and she had her spectacles on a cord and took them off at the fourth trestle, because that is the distance at which you stop being able to tell by eye whether a car is where you think it is.
The balance room was a long cold place under a stone floor and it smelled of wet iron and old grease, and the pit came down out of it through a grating that eleven thousand pairs of boots had polished. The grating was the only place in Wyver Hold where you could see the whole weight of what the town was doing. Six iron pans hung over the pit on chains. Two hung low, cut deep, and the rest hung higher, and each one was cut for a person to stand in and be counted, and the boots had worn a curve into the floor in front of every one of them. Nell Cardew was in the fourth pan when Bronwen came down, with a wicker splash of boiled leather over her knees and the tan line across her forehead where the sun stopped every afternoon at the same height. “Twenty-four,” she said. “I did not ask you anything.” “You were going to ask how many. Twenty-four persons, and there were twenty-three on Tuesday, and twenty on Thursday, and the load is not the same every day and the weight is not the same every day and if you want one number for it you have not got one.” Bronwen Vasey, who was thirty-eight and had never in her life stated a figure as exact, sat down on the step at the edge of the pit with her notebook on her knee. “No,” she said. “I had not got one.”
“The pans are not what holds the line up,” Nell said. “Everybody in the town thinks the pans are what holds the line up and it is the water.” “Then tell me what holds it up.” “The water in the lower tank. They fill it out of the sump and the sump is filled by the pump and the pump is off the millpond race. How much goes in the lower tank is set so that if nobody stands in a single pan, the two cars weigh exactly the same. That is what exactly means here. There is no tolerance and there is no being nearly.” “And the pans.” “And the pans are the margin. Rule one says at least one grown person and not a penny less, and that is the whole of what the six of us are for.” Bronwen wrote it down exactly as it came, and then she wrote under it: Water makes the difference. Persons make the margin. Tank is charged to equal; twelve stone is the margin. “It reads like arithmetic,” she said. “It is arithmetic. It is not bookkeeping.”
The rota was in a green tin box behind the office door and Teofil Rownt brought it out for her himself, because the box is his, and because the box has been in his family’s hands since 1919 and he does not leave it on a desk. There were thirty-one years of it in there. A day-sheet for every day the Grip had run, and the sheets were all the same form, and the form had nine boxes down the left side and eleven across the top, and the boxes were ruled in ink and had not been re-ruled since the box was made. “Mine from the sixth of March 1919,” he said. “My father’s before that, and his father’s, and the same form. We have never needed a new one. The line has not changed.” The rota for a Tuesday in August was a single sheet of stiff cream paper with a brass clip, and the brass clip was new because he had replaced it, and the token on his chain was worn through at the edge because he had had it longer than the clip. It said: CARS UP, THE DAY — 13 PERSONS, CAR FULL — 24 CAR, OUT AND BACK — 48 min. CHANGE OF HOLDERS — — — — BRAKE, AT THE TOP — — — — PANS — 6 HOLDING, ONE JOURNEY — 48 min. JOURNEYS, SUMMER — 13 JOURNEYS, WINTER — 9
“The forty-eight is the cable,” Teofil said. “One mile and a quarter, seventeen degrees, a mile and a quarter of cable at the speed the book gives for that fall. Twenty-four minutes up and twenty-four down. That has been the figure since my father’s day and my father had it off the slate.” “And there is no line for the change.” “There is no line for the change because the change is nothing. The car stops. The men get out. The men get in.” “How long does that take.” “Long enough.” “Teofil.” “Long enough,” he said. “It is not a number. I do not put a number on a thing I cannot cost. Say the hour to me and I will tell you what it is worth.” Bronwen Vasey did not say the hour to him, and the reason she did not, which she worked out that evening in her own room with the tide table under her tea-cup, was that she could not make the hour into a number either.
She had audited the arithmetic of the line eleven times. That was the thing she could not get past. Eleven audits in eleven years, each one after a year’s holding was worked out, each one a comparison of the standing-hours asked for by the rota against the standing-hours given in the consent book, and eleven times the two had come out within a few hours of each other and eleven times she had written the word cleared at the bottom of a page and initialled it. The consent book was a calfskin volume of four hundred pages begun in 1889 with three ruled columns and a name, a date, and a line. Rule three is that consent is one spoken sentence containing your own name, said out loud at the pan with the grip-man hearing it, and rule four is that a name may be spoken once a year and only for the line the person lives on, and so a line in that book is not a moment. A line in that book is a year. Which means the book cannot hold a journey. You cannot write down nine journeys a day for two hundred and sixty working days, because a man may say his sentence once and once is once, and if he says it twice the cable knows about it.
“So the book is annual,” Bronwen said, to Gwilym Ore, on the second morning, when she got him to sit down. “And the rota is daily. And I have spent eleven years comparing an annual instrument with a daily one and calling it an audit.” “You have,” he said. “And both of them are honest.” “I know both of them are honest. That is the difficulty. There is nothing wrong with either. There is a third one and nobody has ever read it.”
Gwilym Ore was sixty-one and he had a leather apron with a horseshoe burn across the front and a pencil behind his right ear that he had forgotten was there and had been wearing since the spring. He brought out the winding book, which was not the consent book and was kept in the shop, and he put it on the mess-room table between the bread tin and the lamp, and he turned it round so that the pages faced her. There is one column in that book headed CAR, OUT, BACK, and there has been one since 1889, and it is filled in by hand in the mornings, and it is the only instrument in Wyver Hold fine enough to measure a single journey. “Twenty-three minutes down, eleven at the brake on the switch, and eleven back up,” he said. “Fifty-six.” “And the stop at the top.” “Six minutes.” “Six minutes at the top.” “Six minutes at the top, and I have written six minutes at the top in this column every year since I came, and I have never once put down what it was for.” Bronwen took out her notebook. “Gwilym. What is the six minutes for.” He put his hand up to his ear, found the pencil, looked at it, and put it back. “I have asked for that in the wrong direction,” he said. “Ask me the other one.” “What other one.”
“Why the upper span cable was changed in 1911.” Nobody in Wyver Hold had asked him that. He had been in the shop since 1904 and the question had been available the entire time, and the reason it had not been asked is the reason that everything in this town is not asked, which is that the answer costs money and the question does not, until somebody cannot sleep. “The sixth of March 1911,” he said. “The car hung in the upper span in a gale on the second. They got it down, and they put a new cable up, and they put it up shorter than the old one had been, because the old one had been standing out further from the stanchions and the weather came at it from the side.” A shorter span is a stiffer span. A stiff span swings the car when it comes in off the moor, and the car swings for six minutes at the upper station, and the gate does not open until it has stopped swinging, and that is a rule in this shop and not in your book. “So the six minutes came in with the cable.” “The six minutes came in with the cable, in 1911, and nobody wrote it anywhere, and it has been charged to the weather ever since.” “Gwilym, why was the cable changed?” He corrected her. “The cable was changed on the sixth of March 1911. It is in the book on that page and in the certificate in the tin in the office and both are signed. I was not in the room. I was twenty-nine and I was on the lower drums. There is no answer to why. There is a certificate and a date and a weight.”
She did the sum that evening in the office with the tide table moved out of the way and the lamp pulled round. Forty-eight on the rota. Twenty-four minutes of cable each way. Plus eleven at the brake on the switch, where the six men get out of six iron pans and up the pit steps and six more get in, which cannot be done while the cable is moving because rule eight will not have it, and which the grip-man will not take a car on until he has seen finished. Plus six at the top, where the gate does not open. Forty-eight, plus eleven, plus six. Sixty-five. She wrote it out with the additions under one another and the total under a rule, and then she wrote forty-eight over the top of it, and then she took a sheet and wrote it again from scratch without looking at the first, which is what she does when a figure will not sit still, and she got sixty-five both times. Then she wrote underneath: Seventeen minutes. Every journey. Every holding. Nineteen thousand nine hundred and thirty-eight holdings in a year, and seventeen minutes is five thousand six hundred and forty-nine hours. She looked at that for a while, and then she put her spectacles down, and looked at it at the far end of the desk to see if it moved.
Nell Cardew did it out loud, on the balance-room floor, the next morning, in about eleven seconds, and nobody had asked her to and she had not been told any of the numbers. “Twenty-four up,” she said. “Six at the top. Twenty-four down. Eleven to change. Sixty-five.” “Correct.” “I did not know it was a question.” Nell wiped her chalky fingers on the front of her apron. “We have always done it that way. You do not say it out loud. The men are in and out and the car is away and you do the other things.” Bronwen had spent eleven years writing down what people had not told her, and had not once thought to write down what they had not said while they were doing it.
The eleven stops were in Ivo Trant’s day-book and Ivo Trant read them out himself, standing at the drum with his right hand flat on the brake lever and his left hand in the red woollen mitten, because the left one takes the cold and the right one has been white to the second joint since 1919 and has no feeling in it at all. He counted in fours as he went. She had noticed that in the first ten minutes of knowing him. “Seventh of August, nineteen twenty-six. Nineteenth of August, nineteen thirty-one. Second of August, nineteen thirty-four. The rest are all in August. All eleven are in the second half of August and there has not been one in any other month since I came, and I have been here thirty-one years.” “Why not.” “Because it is the same men every August and the same men are away at the end of it.” He turned back a page. “Nineteenth of August, nineteen fifty-one. Gusting forty at the mast, she’ll hold. I wrote that. I wrote it because that is what you write. The car went up and it stopped at the top of the second span and it hung there and I had the brake on before it was still, and it stood in the rain for ninety minutes and then somebody’s boy fetched a plank and we got it down.” “What was the wind.”
“I have it on the page.” “Read it.” He read it. “Six.” Bronwen wrote it down. “And the eleventh one.” “The eleventh is the eleventh of August this year, and I have it, and I will read it, and it is six as well.” “Six knots.” “Twenty-two miles an hour, on the north-east, which is a fresh breeze and you could carry a lamp in it. I did not want it to be the weather. I have wanted it not to be the weather for three weeks.”
Aldith Marner had taught two hundred and six children the hour by the Grip for six years and she had a timetable in her own hand, and it was built out of the rota, because there was nothing else to build it out of, and she had never had a reason to doubt the rota because she had never met the man who made it and had no reason to think of him. She told Bronwen that the car left the lower station at twenty to seven and was at the upper station at four minutes past seven, and she told it to two hundred and six children on a Friday, and she told it with her hands on the edge of the desk and a piece of chalk going to dust on the cuff of a jacket that was much too good. “It is at the top at twelve minutes past,” Bronwen said. “For how long?” “For thirty-one years. It has been arriving twelve minutes late since 1911 and there is no child in your school who has ever been in a classroom at Tannery Moss and got there on time to see it.” Aldith Marner sat down on the edge of her own desk, which she did not do in front of people, and put the chalk down. “Then I have taught them the wrong hour,” she said.
“You have taught them the hour that was written down. There is a difference and I am not being kind about it. Ask me something while I am here. I heard you have been wanting to ask somebody whether a man on a rota is obliged.” “Is he.” “No.” “Then a man may be on your rota for eleven years and never once be on a pan, and you would not know.” “No. That is exactly right and it is exactly what happens.” She stood up off the desk. “I have wanted a pupil to refuse me out loud, in the room, so that the other two hundred and five know it can be refused. I have wanted it for three years. I do not want it as a lesson. I want it because I am frightened and I have not found a way to say so that is not a lesson.”
Teofil Rownt costed it in the office on the Thursday and it took him until the lamp wanted filling. He could not do it in his head and he could not have had it done for him, and he would not have had it done for him, because the whole of his father’s arrangements had been that the line was run in his interest and he had never once been able to say that out loud, and a line run in a man’s interest is a line whose numbers that man has to be able to stand behind at eleven at night. “Say the hour to me,” he said. “You said I could not cost a number I could not put an hour to. Here is the hour. Say it.” “The summer day is six in the morning until eight at night. That is fourteen hours. It is eight hundred and forty minutes.” “Then sixty-five minutes a journey goes into it eight hundred and forty times.” “Twelve times. Twelve is seven hundred and eighty, and you want eleven minutes to load the first car, and that is seven hundred and ninety-one, and there are forty-nine minutes of day left over and they are yours.” “Not mine. They are the last car that cannot be loaded.” “No.” He wrote it on the back of a day-sheet, which was not his practice.
“The winter day is eight in the morning until four in the afternoon, because the light goes. That is six hundred minutes.” “It is four hundred and eighty minutes, Teofil.” He looked at what he had written for a while, and put the pen down on top of it, which was not a thing he did. “Eight hours,” he said. “Four hundred and eighty minutes, which is eight hours. And in the winter there is no water in the millpond race, so the pump is worked by hand on the sweep at the bottom, and the two men on it take twenty-two minutes a journey to raise what the pump used to raise in a minute. Sixty-five plus twenty-two is eighty-seven. Eighty-seven into four hundred and eighty is five times and forty-five minutes, and forty-five minutes will not buy a sixth car.” “So we run five in January.” “You run five in January. And the sheet in that box says nine.” He put the pen down and picked it up again.
“Then the box is wrong from November to March,” he said, “and it has been wrong from November to March for thirty-one years, and nobody has been hurt, because the Grip simply stops, and rule ten is that a balance broken is not a fall, and this town has ten people who could tell you exactly how little that has ever cost anybody, and I have been one of them.”
“A year,” he said. “The two of you. Say the whole year and I will put the terms to the meeting.” “Two hundred and fourteen summer days at twelve journeys, and a hundred and fifty-one winter days at five.” He wrote it. She watched him do it, which she had never once watched a man do anything. “Three thousand three hundred and twenty-three,” he said. “The sheet says four thousand one hundred and forty-one. It is short by eight hundred and eighteen journeys in a year.” “Nineteen and a half per cent.” “Nineteen and a half per cent of the line.” He wrote that under it as well. “Then there is the holding. Nineteen thousand nine hundred and thirty-eight holdings at seventeen minutes that nobody has ever costed is five thousand six hundred and forty-nine hours a year, and there is no column in any book in this town for it, and it has been paid for thirty-one years out of what men do not have.” “You have to say it out loud now, Teofil, because you have costed it.” “I have.”
“The line is run in your interest. That is true. You have never once been able to say it and now you have costed it and you can say it, and if you say it in that room they will all understand that it is the mill that goes up on Thursdays and it is the September slate that waits, and neither of those things is a hardship.” “Then I shall not say it in that room.” “What will you say.” “For the year, then,” he said, “twelve journeys in summer and five in winter, and the eight hundred and eighteen carried on the mill and on the September slate, and I will carry them myself, and I will not be thanked for it and I will not mention it again.” She wrote to the county surveyor on the Friday, because it was her eleventh audit and she was not going to make it a twelfth, and because a man who audits something once a year for eleven years is not auditing it, he is keeping it company.
She put the rota in a tin and the eleven audits in a second tin and the winding book in neither, because it was Gwilym Ore’s and he had not offered it. On the covering sheet she wrote that the line had been costed at forty-eight minutes a journey and that this was now known to be sixty-five, and that the difference was seventeen minutes on nineteen thousand nine hundred and thirty-eight holdings in a year, paid out of time that no book in Wyver Hold recorded. The surveyor’s clerk wrote back in eleven days with two questions. One was whether the eleven minutes at the brake was on the hours of the men or on the hours of the line, and Bronwen answered it in four lines. The other was whether anybody in Wyver Hold had ever stood in a pan and been weighed. She had to look that up before she answered, and what she found was a page in the shop book dated 1911, in a different hand from the one that came after it, with six names against it and six weights against those, and the last weight had been written as nine stone ten pounds, which was a boy, and the sum of the six was a hundred and four stone.
Rule one asks for twelve. The line had been running on a hundred and four since the year the cable changed, and the other ninety-two stone had never once been in anybody’s figures, and had been standing in six iron pans in the cold for thirty-one years for nothing at all. She copied the page into the second book and sent the copy, and then she sat with her hands flat on the desk, thinking that in 1911 somebody had thought to weigh the six men and that in the thirty-one years since nobody had thought to weigh them again, and that those two facts were of exactly the same kind.
On the second Monday of September, Gwilym Ore took a stick of chalk and wrote under the 1911 slate, which was still where it had been since the year the line opened with the same figures on it in the same hand: CABLE, EACH WAY — 24 min. BRAKE AND CHANGE — 11 min. AT THE STATION — 6 min. CAR, OUT AND BACK — 65 min. He did not rub the old one out. He put the chalk on its point and looked at the two for a while, and then he put the green tin box on the nail beside it with the corrected sheet for that week on top, where anybody coming through the door could see the first line of it. “That slate is wrong now,” Bronwen said. “That slate is right,” he said. “That slate is correct as at the sixth of March 1911, and there is a man’s weight in it and a certificate and a date, and I am not going to have anybody come in here in twenty years and think somebody was careless. That slate is a true record of what we believed on the day the cable changed.” “Gwilym.”
“You put your new one beside it,” he said. “That is the whole of the correction. Not one of them goes. Both of them are true and only one of them is any use, and you can work out for yourself which, and I have not said and you will not be able to quote me, and that is the correct way to do it.”
He took the pencil from behind his ear that afternoon, and put it in the pocket of his apron with the other one, and did not look for the third. Then he went out to the balance room at four o’clock, which was when the six of them came off, and Teofil Rownt was already standing on the step at the edge of the pit with his brass token in his hand and his shoes on that nobody in Wyver Hold would have believed for one moment. “My name is Teofil Rownt,” he said, to the middle pan, and he said it clearly, and there was nothing under it and nothing before it and it was one sentence and it contained his own name. “And I hold for the lower line.” “Gwilym Ore,” said Gwilym Ore, from the brake, in the voice he used for the drum. “Heard.” They put him in the middle pan and the two deep ones took the men who had stood in them for twenty years, and the chains came up off their catches one at a time, and at the top of the pit the car was already loaded and the gate was shut and would be shut for six minutes more because the span was stiff and the car swung, and nobody in Wyver Hold would open that gate until it had stopped. The cable did not care whose name it was. The six of them stood in six iron pans and did not ride, and would not ride, that was the whole of the exchange, and it was the oldest bargain in the town, and it was being kept now in a voice that nobody outside the pit had ever heard in his life.